Do you want to get in on this GIGANTIC vampire trend but feel a little weird toting a copy of twilight to your works of classic literature class (ahem)? Well, last night I saw a screening of the Swedish flick, “Let the Right One In” with my fellow vampire fanatic, M (she is a SUPER fan as she has twilight contacts), and it is perfect for those wishing to get a little bit artier a little less cheesy with their fang-bearing obsession. Not quite horror, not quite romance, this film is a genre-defying drama which takes the overhyped, overused, overdone idea of bloodsucking fiend and revamps the image completely.
Centering around Oskar, a bullied 12 year old, coming to terms with his need for revenge against his opressors and the mysterious girl-next-door, Eli (the vamp), the two band together in a wintry Stockholm against a world which can accept neither of them.
Parts grotesque and cutesy, the juxtaposition of growing out of childhood and the pained stagnancy of vampire-hood somehow fit together. In a subtle way it questions the love one can feel for another and just how far one should go to defend that love.
Only attempt this movie if you can handle gory scenes: decapitation, fangs-sinking-into-flesh and rabid-bear sounds, and sloppy blood abound. Though there isn’t anything outright horrifying, these effects had me covering my ears a couple of times. Director Tomas Alfredson, however, does the job of a true artist is balancing this gruesomeness and the beauty of the story and setting. Steeped in a variety vampire myths and allusions, the nuances of the movie (including slight subconscious face-changes in scenes) are what make it so exciting and decidedly academic to watch.
With 43 aclaimed wins (mostly for best foreign film), this vampire movie is something you can be proud to be caught watching.